Ganeshana Madhuve and Challenge Gopalakrishna

Scenes from these two movies were enacted out at our wedding.

So in certain cultures (such as my wife’s; this isn’t practiced in my mother’s house at least) there is a uniform that brides need to wear – a white or off-white sari with a red border. I think this uniform is there in my father’s family also, but I’m not sure. I’m sure this is not there on my mother’s side.

Anyway, Priyanka was in her uniform, in the “bride’s room” doing “gowri pooje” that is supposed to be done before a girl gets married. There were several other women around, and for the wedding, they had all chosen to wear their own wedding saris – white or off-white with a red border. This included mostly Priyanka’s aunts and cousins and one of my aunts.

So there is this scene in Ganeshana maduve where Ganesha (YG Rao) is told that the girl in red sari is Shruti (his “pen lover”). And he goes into the bride’s room to find that everyone there was in a red sari, so he has no clue in figuring out who Shruti is. Similarly, if someone had come to the bride’s room searching for one particular woman who was in the white-red uniform, they would’ve been thoroughly confused indeed.

Then there is this scene that is oft-repeated in the other classic Anantnag starrer Challenge Gopalakrishna (I’m not able to find the link on youtube). Whenever Gopalakrishna’s dad abuses him, he reminds him of his lineage. (translating) “Being the great-grandson of Justice Gopalakrishna (loud temple gong), being the grandson of Major Radhakrishna (another loud temple gong), being the son of Rotarian Muralikrishna (yet another gong) you dare to behave like this… “. This scene is played out several times in the movie, and towards the latter half, as soon as Mukhyamantri Chandru utters “Justice Gopalakrishna”, Anantnag runs.

So as part of the wedding rituals, the bride and groom are anointed as Lakshmi and Narayana (the gods). So while I was being anointed such, the priest chanted “Venkataramanasharma nautram, Suryanarayanasharma poutram, Shashidharasharma putram Shri Karthika Sharma … ” and similarly for Priyanka (that way I got to know her great-grandfather’s name). The first couple of times it was ok. But when this bit came up later on in the rituals, we couldn’t help but burst out laughing. Thankfully there were no temple gongs to punctuate the recital.

I’m not sure if Lakshmi and Narayana are supposed to laugh.

The Mata Temple in Amritsar

It seems to be a slightly obscure temple. I don’t think it is on the map of most tourists who visit Amritsar. Or maybe with the increasing breed of auto drivers turned tour guides, it is now. The Lonely Planet Guide to India calls it the “Mata temple”. Locals call it the “vaishno devi temple”. The Lonely Planet guide says it is a must-visit for women who want to get pregnant. Anyway, we went. On the way back from our trip to the Wagah border.

It is an interesting temple, to say the least. The ground floor seems to be a normal temple, but the presiding deity is an old bespectacled woman in a sari which made me think that it is dedicated to some cult. Apparently not, and this is the way that Vaishno Devi is represented in most places (that is what my mother tells me). The ground floor is again noisy as most north indian temples are. As I enter, I notice this staircase that says “vaishno devi cave” or some such thing. And I go upstairs.

The first floor of the temple has been designed with The Crystal Maze (remember that awesome TV show on Star Plus?) in mind. I don’t know if it was designed that way to attract children, or if they actually decided to model the place after some famous temples, or if they just made it that way to make the place more interesting.

So in order to reach the shrine of the main deity (again a Devi), you need to go through a large number of “tasks”. You need to climb up and down a total of three flights of stairs each way (I think I counted it right). And then there is a stretch where the ceiling is so low that you need to crawl on all fours to get past. And you need to get past a blabbering madman (an employee of the temple) in order to stand in a queue – which leads into a second cave.

This second cave has ankle-deep water, and you need to wade through that. i was wearing cargo pants whose legs could be detached at the knees, but then I was afraid of misplacing them so just rolled them up. And while you were wading through the water, you had people who started shouting slogans in favour of the Mata. Death only it was. But at the end of the passage where you waded through the water, there was a wonderful sight. A one of a kind.

There was a statue of udders of a cow, and placed directly below that was a statue of a snake, and a lingam. Interpret this ensemble in whatever way you like. I first told my mother that this was a good way of ensuring middleman-less ksheeraabhishekam. Anyways we noticed people in front of us touching the udders and the lingam and the snake (yes, unlike most temple deities, these things were available for touching for general public).

When my turn came, not knowing how to handle it, I ended up groping the udders. And then stroked the lingam below. It’s been a week since we visited that temple, but my mother is yet to stop ragging me about what I did there.

That turned out to be the last of the “adventures” as we soon came to the main deity. The pujaris there gave us kadlepuri (puffed rice) as prasad, and put some saffron marks on our foreheads (eccentrically). And we were soon back downstairs enduring the noise of the main temple.