Open and closed platforms

This is a blogpost that I had planned a very long time (4-5 weeks) ago, and I’m only getting down to write it now. So my apologies if the quality is not as good as my blogposts usually are. 

Many of you would have looked at the title of this blogpost and assumed that the trigger for this was the “acquisition” of Joe Rogan’s podcast by Spotify. For a large sum of money, Spotify is “taking his podcast private”, making it exclusive to Spotify subscribers.

However, this is only an “immediate trigger” for writing this post. I’d planned this post way back in April when I’d written one of my Covid-19 related blogposts – maybe it was this one.

I had joked the post needed to be on Medium for it to be taken seriously (a lot of covid related analysis was appearing on Medium around that time). Someone suggested I actually put it on Medium. I copied and pasted it there. Medium promptly took down my post.

I got pissed off and swore to never post on Medium again. I got reminded of the time last year when Youtube randomly pulled down one of my cricket videos when someone (an IP troll, I later learnt) wrongly claimed that I’d used copyrighted sounds in my video (the only sound in that video was my own voice).  I had lodged a complaint with Youtube, and my video was resurrected, but it was off air for a month (I think).

Medium and Youtube are both examples of closed platforms. All content posted on these platforms are “native to the platform”. These platforms provide a means of distributing (and sometimes even marketing) the content, and all content posted there essentially belongs to the platform. Yes, you get paid a cut of the ad fee (in case your Youtube channel becomes super powerful, for example), but Youtube decides whether your video deserves to be there at all, and whose homepages to put it on.

The main feature of a closed platform is that any content created on the platform needs to be consumed on the same platform. A video I’ve uploaded on Youtube is only accessible on Youtube. A medium post can only be read on medium. A tweet can only be read on twitter. A Facebook post only on Facebook.

The advantage with closed platforms is that by submitting your content to the platform, you are hoping to leverage some benefits the platform might offer, like additional marketing and distribution, and discovery.

This blog doesn’t work that way. Blogposts work through this technology called “RSS”, and to read what I’m writing here you don’t need to necessarily visit noenthuda.com. You can read it on the feed reader of your choice (Feedly is what I use). Of course there is the danger that one feed reader can have overwhelming marketshare, and the destruction of that feed reader can kill the ecosystem itself (like it happened with Google Reader in 2013). Yet, RSS being an open platform means that this blog still exists, and you can continue to receive it on the RSS reader of your choice. If Medium were to shut down tomorrow, all Medium posts might be lost.

Another example of an open platform is email – it doesn’t matter what email service or app you use, my email and yours is interoperable. India’s Universal Payment Interface (UPI) is another open platform – the sender and receiver can use apps of their choice and still transact.

And yet another open platform (which a lot of people didn’t really realise is an open platform) is podcasting. Podcasts run on the RSS protocol. So when you subscribe to a podcast using Apple Podcasts, it is similar to adding a blog to your Feedly. This thread by Ben Thompson of Stratechery (that I just stumbled upon when I started writing this post) sums it up well:

What Spotify is trying to do (with the Joe Rogan and Ringer deals) is to take these contents off open platforms and put it on its own closed platform. Some people (like Rogan) will take the bait since they’re getting paid for it. However, this comes at the cost of control – like I’m not sure if we’ll have another episode of Rogan’s podcast where host and guest light up a joint.

Following my experiences with Medium and Youtube, when my content was yanked off for no reason (or for flimsy reasons), I’m not sure I like closed platforms any more. Rather, someone needs to pay me a lot of money to take my content to a closed platform (speaking of which, do you know that all my writing for Mint (written in 2013-18) is behind their newly erected paywall now?).

In closing I must mention that platforms being “open” and platforms being “free” are orthogonal. A paid podcast or newsletter is still on an open platform (see Ben Thompson tweetstorm above), since it can be consumed on a medium independent of the one where it was produced – essentially a different feed is generated depending on what the customer has paid for.

Now that I’ve written this post, I don’t know what the point of this is. Maybe it’s just for collecting and crystallising my own thoughts, which is the point behind most of my blogposts anyway.

PS: We have RSS feeds for text and podcasts for audio. I wonder why we don’t have a popular and open protocol for video.

Social Reading

Feedly, the RSS Reader I’ve been using ever since Google Reader shut down, has announced a feature called “Shared Collections“. This is something like the Google Reader shared items (much loved by its loyal users including me, but something that apparently wasn’t good enough for Google to retain), except that it is available only for premium users.

 

While this is in theory a great move by Feedly to start shared collections, recognising the unfulfilled demand for social reading post Google Reader, their implementation leaves a lot to be desired. And I’m writing this without having used the feature, for, in an extremely daft move, it is available only for pro users. My problem is with the pricing model, which charges content creators (or curators or aggregators, if you like to call them that) for sharing content!

There are so many things wrong with this that I don’t know where to start. Firstly, if you charge people for creating content, that significantly increases the barrier to creating content. If there is an article I like and want to share with my (currently non-existent) followers, the fact that I have to create a premium account to do so means that the barrier to doing so is too high.

Secondly, if I’m going to be a consumer of shared collections from other people, I’ll need a certain critical mass of friends before I start using the feature. I won’t start using a feature only because one or two friends are curating content on it. The critical mass is much higher. And by putting barriers to entry to people who want to share, it makes this critical mass even more difficult to obtain.

Thirdly, Feedly doesn’t have a social network of itself so far (though I’m not aware what permissions they’ve taken from my when I used my Google account to log in to the service). And without having a ready social network for discovery (Google Reader leveraged the Google Talk network), how do they expect people to discover each other’s collections, once created? Are they relying on external networks such as Facebook or Twitter?

It is not easy to build a social network of curation. Google Reader had managed it quite well back in the day by first allowing people to share items without comment, then add external content, and then to add comments. It was an extremely powerful way for people to share blogs and other content, and discussion on that was rather active. I even remember quite a few people adding me on Google Talk for the sole reason of wanting to follow my Shared Items.

In recent times we’ve seen the news aggregator app Flipboard starting its personal collections feature. I have a collection, but don’t remember the last time I put something into it – for without any interaction on that, there’s absolutely no motivation. Flipboard, by the way, has access to your Facebook and Twitter graphs, and so has access to some sort of a social network. Yet, despite keeping the feature free, they haven’t been able to generate sufficient activity on it.

Feedly has got just about everything wrong with its Shared Collections feature. There is disincentive for content creators. There is no incentive for content consumers. They don’t have a ready social network. And there doesn’t seem to be any interaction.

If only Google were to bring back Google Reader and Shared Items, now that they’ve decided to dismantle Google+.

 

Twenty Six

The reason I’m writing this so late in the day is that I’ve been confused as to what to call this post. I started from a short list of maybe a dozen names, and then brought the list down to two – “twenty six” and “twenty fucking six”. Finally I decided to go for the former since the swearword in the latter doesn’t seem to add much value.

If I were to count my years using letters of the English alphabet, I would today increment it from Y to Z, taking into consideration that the Gregorian calendar may not be perfectly accurate. However, for this kind of a time horizon, and given our desired least count, it is definitely more accurate than the Hindu calendar so we will stick to it. Ok, if you have still not got the point, “aaj mEra happy birthday hai“. Imagine me wearing a yellow suit and shouting that line upwards as you look down from your balcony.

My original plan was to write about birthdays itself, as to how they seem to have lost significance, and as I’ve grown older, and started feeling old, they seem to have been reduced to a counter. I was planning to write about how I have to go really long back in order to find a memorable birthday, and about how it’s generally been a disappointment in recent time.

Vyshnavi Doss, who is older than me by ten days, decided to use her Twenty Sixth by writing something on these lines. It was as if she was exploiting her seniority by taking away words from my fingers. Here is a quote, but I urge you to read the whole thing. I completely empathise with the first part of the essay.

Now this is going to sound nutty, but I used to feel more pressure than elation on my birthday. Not counting my school years of course. That was when by default, either you distributed sweets to everyone at school, or your mom hosted a party for you and you got all the attention and gifts. Your birthday was announced at the assembly, your classmates sang for you, and you pretty much owned the day! Those were the protected years. Then I got into college where I had to work my way up towards making friends. I am a confirmed ambivert. I am a friendly person, but not necessarily popular in the zillion people on my friend-list sense of the term. So the birthday situation after I left school had always been very iffy – there was noone to really ensure it was special. To give me that “Surpriiiiiiseee!!!” People have always mattered a lot to me, and I believe that a good birthday is made up by the people around you. And while my birthdays after school were simple and pleasant, my expectation of something utterly out of the world remained the same. So the worry on my birthday could be attributed to mainly two things – a small closeted social circle, and high ambitions. Often my expectation has been met with disappointment. Don’t get me wrong – of course my parents, my relatives and my close friends have made all the effort in their capacities to make my day special. And I have been happy. But I think I’m quite a tough-to-please person. I’ve always wanted that climax.

Instead, I think I’ll do one of those this-day-that-year things. Given my superior long-term memory, I think this is the kind of stuff that I’m likely to be good at. Here are some excerpts.(rest under the fold)

Continue reading “Twenty Six”