A Comparative Study of Marwari and Kannadiga Brahmin Weddings

On Saturday I was at a Marwari wedding. Actually it was a Marwari Hindu marrying a Gujarati Jain (it was arranged scissors, if you’re curious about that), but the ceremony took place according to Hindu rites. As Gandhi and Khushboo were getting married, I was reminded of my own wedding a little over a year back, and I started mentally comparing the two ceremonies. Here I attempt to put those mental notes “on paper”.

I must mention upfront that I have only one data point (this particular wedding) for Marwari weddings. Also, while the wedding ceremony was still on, I was invited for lunch (in a curious twist, bride’s relatives and friends ate out of a buffet while the groom’s relatives and friends were served a multi-course meal on a silver platter. The food for both was the same, though). So I do not have the complete picture, though the lunch was in the same hall so I managed to observe some stuff as I ate. Also, since the groom in this case was Jain, there is a possibility of some Jain rituals having crept in to the ceremony, so my one data point may not actually be representative. For the Kannadiga Brahmin wedding, I use my own wedding as a data point (again not necessarily accurate, since the wife is technically Gult).

The general impression about North Indian weddings is that they are “action packed”, and a lot of fun. There is known to be much singing and dancing, while South Indian Brahmin weddings are generally solemn religious affairs. There was a fair share of fun at the Gandhi-Khushboo wedding. The previous evening there was a Sangeet where relatives of the bride and groom put up dance performances, which was followed by a general free-for-all dance party, and even a Garba session (and also a Marwari Karaoke session). The cars that were transporting us to the wedding stopped 100m away from the venue, where the groom ascended a mare and there was a brass band and we all danced around to the actual venue. I didn’t attend the reception but I’m sure that had its fun components, too.

However, I noticed that when it came to the ceremony itself, my wedding was much more action-packed and “fun” than this wedding. Yes, at my wedding, the rituals took much longer (started at 11am and ended at 5pm, while here it lasted two hours), but at no point of time was either me or the wife just sitting there doing nothing, which was the case for large sections of this wedding. Most of the time when I looked at the stage, the bride and groom were solemnly sitting in their seats (they had a low bench to sit on, unlike us who sat cross-legged on a low wooden board) doing nothing, as the priests chanted mantras into the microphone. On the other hand, we were constantly doing something. There were “fun” elements like throwing rice on each other’s heads, bargaining for an elephant, getting surrounded by a rope that was spun around by relatives around us, tying the thaaLi, the “Challenge Gopalakrishna moment”, etc.

This is a recent inclusion in both ceremonies, I think, but both weddings involved a phase where the bride and groom are lifted by their respective relatives and friends as they try to get the upper hand (literally) in the muhurtham. In my wedding, the muhurtham involved throwing cumin seeds and jaggery on each other’s heads. Legend is that whoever throws first has the upper hand in the marriage. Here, it was the bride trying to garland the groom and he trying to escape it. At my wedding, the large crowd meant that at that critical moment I was unable to locate my big friends, and had to get lifted by two or three relatives. I resorted to jumping to gain the upper hand (Priyanka had a bunch of big cousins ready to hoist her). It was the opposite story at Gandhi’s wedding. The groom’s party was small, and his brother had told us to be ready to lift him, so we used our “matki phod” skills to good effect to hoist him high.

In both ceremonies, it was the bride’s maternal uncle who performed the “kanyaadaanam” (literally “donation of the virgin”) and brought the bride for the muhurtham. Tradition has it that the uncle should carry the niece, and Khushboo arrived that way. Priyanka’s maternal uncle has a bad back so he simply escorted her to the stage. Then, in both ceremonies, there is the “installation” of bride and groom as Lakshmi and Narayana, and their supposedly divine status for the duration of the wedding. The groom’s shalya (upper cloth) is knotted with the bride’s sari, though since Gandhi was wearing a sherwani, he wore a sash over it for this purpose. Our installation as Lakshmi and Narayana had a fun element as the priest described us as (for example) “Venkataramana Shastri’s great-grandson, Suryanarayana Rao’s grandson, Shashidhar’s son Karthik” which was similar to the refrain in Challenge Gopalakrishna where Gopalakrishna’s father addresses him as “Justice Gopalakrishna’s greatgandson … ” (watch from 7:55 in this video).

The other major point of difference I noticed was in the revolution around the fire after throwing puffed rice in it (it’s a common ceremony in both). At my wedding, I led the way around the fire, but here it was the bride who led the way. I wonder what accounts for this difference, or if it is a minor thing that was missed by the priests.

Overall, I had a fantastic two days in Indore, getting pampered and having sweets thrust into my mouth, catching up with old friends and overall having loads of fun. And not to mention, getting fodder for this double-length blog post.

Ganeshana Madhuve and Challenge Gopalakrishna

Scenes from these two movies were enacted out at our wedding.

So in certain cultures (such as my wife’s; this isn’t practiced in my mother’s house at least) there is a uniform that brides need to wear – a white or off-white sari with a red border. I think this uniform is there in my father’s family also, but I’m not sure. I’m sure this is not there on my mother’s side.

Anyway, Priyanka was in her uniform, in the “bride’s room” doing “gowri pooje” that is supposed to be done before a girl gets married. There were several other women around, and for the wedding, they had all chosen to wear their own wedding saris – white or off-white with a red border. This included mostly Priyanka’s aunts and cousins and one of my aunts.

So there is this scene in Ganeshana maduve where Ganesha (YG Rao) is told that the girl in red sari is Shruti (his “pen lover”). And he goes into the bride’s room to find that everyone there was in a red sari, so he has no clue in figuring out who Shruti is. Similarly, if someone had come to the bride’s room searching for one particular woman who was in the white-red uniform, they would’ve been thoroughly confused indeed.

Then there is this scene that is oft-repeated in the other classic Anantnag starrer Challenge Gopalakrishna (I’m not able to find the link on youtube). Whenever Gopalakrishna’s dad abuses him, he reminds him of his lineage. (translating) “Being the great-grandson of Justice Gopalakrishna (loud temple gong), being the grandson of Major Radhakrishna (another loud temple gong), being the son of Rotarian Muralikrishna (yet another gong) you dare to behave like this… “. This scene is played out several times in the movie, and towards the latter half, as soon as Mukhyamantri Chandru utters “Justice Gopalakrishna”, Anantnag runs.

So as part of the wedding rituals, the bride and groom are anointed as Lakshmi and Narayana (the gods). So while I was being anointed such, the priest chanted “Venkataramanasharma nautram, Suryanarayanasharma poutram, Shashidharasharma putram Shri Karthika Sharma … ” and similarly for Priyanka (that way I got to know her great-grandfather’s name). The first couple of times it was ok. But when this bit came up later on in the rituals, we couldn’t help but burst out laughing. Thankfully there were no temple gongs to punctuate the recital.

I’m not sure if Lakshmi and Narayana are supposed to laugh.