Category: entertainment

On Walking out of a play

Last night the wife and I went to watch what we thought was going to be a play at KH Kala Soudha in Hanumanthanagar. It was supposed to be “directed” by RJ Vinayak Joshi and “starring” among others TN Seetharam, Master Hiriyannaiah and others. It turned out to be more like a talk show, where Joshi attempted to ‘interview’ these worthies, and they came up on stage and sat on a bench and put senti. And talked on, and on, and on.

I’m not saying it was a total ripoff. The band that was playing at the side was pretty good, with the singers having quite distinctive voices and the music also being quite nice. There was this little standup piece by this guy called Nagaraj Kote, which was probably the only part of the evening that lived up to the announced title ‘Simple is difficult’. Then, there was this frequent dialogue between Joshi, playing “naanalla” (not me) and this other guy playing “gottilla” (i don’t know). And they invited this really old couple to talk about their 50-year-old marriage, and they turned out to be quite funny!

Actually, despite some 15-20 mins of senti by Seetharam sometime in the middle, everything seemed to be going quite well. It was 9 o’clock and time for the “play” to be over. And then Master Hiriyannaiah came up on stage. And started talking. And talking. And talking. He was supposed to be taking a dig at politicians, and he ended up talking just like one of them. Rambling on and on and on. And on and on and on. The band had by then gone off stage, else they could’ve played LedZep’s Ramble On and salvaged the evening.

So there was this debate between the wife and I about whether it was ethical to walk out. A few minutes after Hiriyannaiah started rambling, I thought the theatrepeople had broken their part of the contract – as long as they were within the time that they advertised, they were good. And we were obliged to hold up our end of the contract. But once they overshot, I felt no need to hold up my end of the contract, and having given them the gate money, and my promised 90 minutes, I was now free to walk out.

Of course, I wasn’t going to do something outrageous – like shouting or screaming or talking on my mobile or anything else that might cause disrespect to the performers. All I wanted to do was to walk out.

The wife, on the other hand, felt it would be insensitive on our part to walk out, and that it too would amount to disrespect, and we ought to stay till the end of the show. Her thinking reminded me of what happens in an interest rate swap when one party goes bankrupt – the counterparty is obliged to continue paying it’s share of the swap, and hold up its end of the contract.

I think there’s merit in both sides of the argument, and I kept debating that as I waited until the end of Hiriyannaiah’s rambles when I really couldn’t take it any more and I walked out. So what do you think of this? Do you think it’s ok for performers to expect perfect behaviour from the audience even after they’ve not held up their end of the contract? Do you think it’s ethical for people to quietly walk out of a play that they’re not enjoying at all, as a means of protest? Don’t you think it helps having this part of the feedback loop?

Comments, please.

Antakshari

So while we were walking back from dinner tonight my wife and I decided to play Antakshari. And each time she started singing, I would instinctively stop listening and fast-forward the song in my head, trying to double guess where she would stop, and what letter that would imply, and search my mental database for songs starting with that letter.

Back when I was in 8th standard, I had challenged four of my female cousins at Antakshari, and had beaten them fairly soundly. Back then, Antakshari was considered to be a women’s game, so I was quite proud of my achievement (of course, I should admit that these cousins were younger to me) .

When I was in college, I would get into inter-hostel Antakshari teams even though my knowledge of Hindi film songs was quite limited compared to what some of the other guys knew. That was because the first written round of most intra-college and inter-college competitions was effectively a Bollywood quiz, and so I’d get taken for my relative expertise in that.

And then I remember this train journey in rural England (someplace in Kent to London Waterloo). Us three hardcore South Indian boys (Sathya, Gandhi and I; Gandhi despite being Gujju qualifies as South Indian having grown up in Bangalore) had thulped hollow hardcore North Indian girls (for the record – Bansal, Sikka and Shuchi). Playing Hindi film Antakshari! Must say I felt quite proud that day.

Thinking back, I wonder how much of an impact playing antakshari had on my Hindi vocabulary, though I would guess that hte answer is not much considering I never really got any of the lyrics. The problem persists. I still don’t “get” any lyrics, irrespective of language of the song.

o!!!

o!!! (super) is indeed a super movie. It is so awesome in so many different dimensions, that it’s hard to capture it all in one post. I guess in this post I’ll simply stick to the economic aspect of the movie.

So basically the premise is that in 2030 India is the most powerful country in the world. Bangalore is clean and green, with whites working as chauffeurs and sweepers, with 70 pounds to the rupee, and so forth. The movie is a fairly elaborate nested story about how this transformation is brought about.  (rest of post under the fold. spoilers are there)

Continue reading “o!!!”

Ganeshana Madhuve and Challenge Gopalakrishna

Scenes from these two movies were enacted out at our wedding.

So in certain cultures (such as my wife’s; this isn’t practiced in my mother’s house at least) there is a uniform that brides need to wear – a white or off-white sari with a red border. I think this uniform is there in my father’s family also, but I’m not sure. I’m sure this is not there on my mother’s side.

Anyway, Priyanka was in her uniform, in the “bride’s room” doing “gowri pooje” that is supposed to be done before a girl gets married. There were several other women around, and for the wedding, they had all chosen to wear their own wedding saris – white or off-white with a red border. This included mostly Priyanka’s aunts and cousins and one of my aunts.

So there is this scene in Ganeshana maduve where Ganesha (YG Rao) is told that the girl in red sari is Shruti (his “pen lover”). And he goes into the bride’s room to find that everyone there was in a red sari, so he has no clue in figuring out who Shruti is. Similarly, if someone had come to the bride’s room searching for one particular woman who was in the white-red uniform, they would’ve been thoroughly confused indeed.

Then there is this scene that is oft-repeated in the other classic Anantnag starrer Challenge Gopalakrishna (I’m not able to find the link on youtube). Whenever Gopalakrishna’s dad abuses him, he reminds him of his lineage. (translating) “Being the great-grandson of Justice Gopalakrishna (loud temple gong), being the grandson of Major Radhakrishna (another loud temple gong), being the son of Rotarian Muralikrishna (yet another gong) you dare to behave like this… “. This scene is played out several times in the movie, and towards the latter half, as soon as Mukhyamantri Chandru utters “Justice Gopalakrishna”, Anantnag runs.

So as part of the wedding rituals, the bride and groom are anointed as Lakshmi and Narayana (the gods). So while I was being anointed such, the priest chanted “Venkataramanasharma nautram, Suryanarayanasharma poutram, Shashidharasharma putram Shri Karthika Sharma … ” and similarly for Priyanka (that way I got to know her great-grandfather’s name). The first couple of times it was ok. But when this bit came up later on in the rituals, we couldn’t help but burst out laughing. Thankfully there were no temple gongs to punctuate the recital.

I’m not sure if Lakshmi and Narayana are supposed to laugh.

MGM Channel

Yesterday I upgraded my Tata Sky package to Annual Mega Pack (with the would-be-ladywife wanting all Kannada and Telugu channels, and all movie channles; and with me wanting all sports channels this was most economical). And got service to this channel called MGM which was earlier part of an add-on package I wasn’t sure I wanted (along with TCM, Lumiere and Warner Brothers).

So last evening I celebrated the upgradation of my Tata Sky package by watching this random (isn’t close to the same league as the dollars trilogy or once upon a time in the west) western called Hang ’em High. Decent movie, but what made it immensely watchable is that there were no ads.

Yes, you read that right. MGM doesn’t show any ads in the middle of movies. Not one. And given the Tata Sky pricing, I guess it charges a reasonable subscription fee to fund itself! The sad part is that they don’t advertise this enough and so probably they aren’t able to collect as much subscription fees as they could. Nevertheless, this is a beautiful model and I just hope they sustain (my assumption is that if they didn’t show ads during a Sunday evening movie, they won’t show ads at all).

Given the surfeit of advertising that plagues most of our movie channels, I knew something like this was going to happen sometime. A channel that subsists on user subscription rather than spoiling the viewing experience by flooding the movie with ads. And what has made this possible is direct to home television, where your choice of channels isn’t dictated by your neighbour’s. And one in which it is easy for the channel to monitor the number of subscribers without the distributor (in this case , Tata SKY) fudging the numbers.

We need to be thankful to DTH for enabling such beautiful concepts like no-ad-movies, and thank MGM for taking a bold step and starting a no ad channel. Now, can sports channels create “plus versions” of themselves where they’ll show uninterrupted sport rather than cutting the first and last ball of each over and showing  the rest of the over in a smaller screen? I’m sure there are enough people who will be willing to pay a premium for it.

And I wish a similar model comes up for radio (Worldspace RIP but you didn’t offer radio in car). Again, too many ads.

The Classical Dead

One of the bands whose discography I have and whose music I listen to when I want to listen to “unknown music” is the Grateful Dead. And while I was listening to them last night, it sounded like it was heavily inspired by Indian classical music (especially Carnatic stuff).

The song I was listening to was “not fade away” from the album GratefulDead (1971).  Ok now a little bit of wiki research tells me that this song was originally written by Buddy Holly and the Dead version in this album was a cover. I haven’t listened to the original but I’m really intrigued that the dead version has such a profound Indian influence on it!

Thinking about it, the only Indian connection of the Dead I can think of is that drummer Mickey Hart used to regularly jam with Ustad Allah Rakha. But then considering he was a percussionist, it’s unlikely that the Indian influence came from him!

Anyways it seems like if I listen to this kind of music a bit more, The Grateful Dead may not be “unknown music” for too much longer.

Business Model for DD

Flipping channels an hour back, I happened to stop at this never-heard-before channel called “DD Bharati”. Usha Uthup was giving a concert that was  clearly recorded for television. Looking at her, and considering that the program had been recorded in black-and-white film, I would suppose that it was ancient indeed. Maybe from some time in the 70s.

The program itself was nice. The sets, for the time, were excellent. Usha was backed up by a bunch of men clad in suits – one on keyboard, a couple on guitars, one on trumpet, one drumming, one on the cymbals and another just swaying from side to side. The songs were all quite good, most of them Usha’s own compositions, and I didn’t think twice about giving up on ESPN Sportscenter Asia, Roland Garros and three not-so-bad Hindi movies in order to watch this program. And while I was watching I thought of this business model for Doordarshan.

The basic idea is that there is a whole lot of footage – all that was shown all through the 70s and 80s – that is quite popular among people and nostalgia-inducing, which is held by Doordarshan. I would be surprised if DD would have licensed out any of its old content to any other channel, if not for any other reason but because so much bureaucracy would have to move for that to happen. Stuff like 80s soaps and sitcoms, shows like the Usha Uthup performance I watched today, etc.

So I think DD can truly profitably run a “nostalgia” kind of channel. The market of people who grew up on these programs in the 70s and 80s is large, and most would prefer to watch re-runs of those ancient shows rather than watch the tripe that is dished out by most channels today. And then there is an opportunity for people to catch up on stuff they missed out on back then for various reasons – for example I missed out on so many cool programs back in the late 80s because our antenna didn’t catch DD2, and I wouldn’t really mind watching those today.

And then those ads – yeah they are available on youtube (and on dd’s own site) but then I’m sure it would be profitable to run those ads now as programs in themselves! The opportunities, I think, are endless. Unfortunately it is a sarkari company that is not interested in profits that is sitting on all these options. The loss, I think, is for us potential viewers.

Fixed and variable scales

One major point of difference I’ve noticed between Indian and Western classical music is about the starting point of scales. Western music has a fixed starting frequency, and all instruments and voices are supposed to be tuned to that. Every guitar is tuned identically, and I’m talking about absolute frequencies of various strings here. Similarly with other instruments.

Indian classical music on the other hand doesn’t bother as much about absolute freuqencies. The frequency of the base Sa doesn’t matter at all, it’s only the relative frequencies of various notes that matter and as long as those are perfect the music will be good. This allows greater flexibility to artistes, especially vocalists and allows them to find their own range rather than having to conform to set standards.

Related to this is the individualist nature of Indian music (you usually have one lead performer here, accompanied by two or three others) and the orchestra nature of Western classical. When the “band” is small, it is not so much of a big deal to retune instruments to match each other and because of this it is not so much of a problem to coordinate. When you are part of an orchestra, however, it is important to have a standard and have everyone conform to that, rather than have a large number of musicians retune for every performance.

What I wonder, however, is which came first – synchronized tuning or the orchestra.

Teaching Music in Schools

How many of you actually enjoyed your “songs”/music lessons in school? Not too many, I suppose. Actually I don’t think more than a tenth of the students would have ever enjoyed these lessons. And I don’t think there is too much surprise in this given the kind of stuff that is taught in schools.

At some point of time during my schooling, we used to have three (!!) “songs” classes during a week, each handled by a different teacher who would teach songs in different languages. The greying guitar-wielding fag-smelling Samson was a fixture, while the other two classes were handled by different people each year, none of whom I remember. One thing that connected all of them, irrespective of the differences in the nature of songs, was that most of the songs they taught were easily classified by us as “uncool” (back then, and even now I’d consider them uncool).

So earlier today I was trying to remember the different songs that had been taught to me in the “songs periods” in school, and the common thread was religion – irrespective of language. A disproportionately large proportion (yeah I love that phrase) of songs that were taught to us were about God, or doing good, or some such thing which could be approximated to a prayer. I remember that Samson also taught us some Christmas carols, but I would argue that even those can be classified as religious music.

There was no wonder that most of us dreaded the music lessons, and the only way we could look forward to them was to replace every significant word in a song with its opposite, or to simply replace it with moTTe (egg). No offence to any of the Gods in whose praise we were supposed to sing those songs but this was the only way we could make the lessons even remotely interesting.

I’m sure most of you would have also gone through similar experiences. And now consider this, courtesy askingfortreble:

Yeah that’s a bunch of schoolkids singing O Fortuna by Carl Orff. If you are done listening to that, then look at this – again being performed by students of the same school.

You heard right! They were singing Metallica’s Nothing Else Matters! Don’t you wish they had taught that to you in school? And made you sing it during the annual day? And if not anything else the bragging rights that would’ve given you later when you went to college? Or the coolness?

Thinking about it, Samson did teach us a couple of songs that were, in hindsight, cool. Ok we did enjoy them when he taught them to us also but they got lost in the midst of so many uncool songs that we never realized we knew such cool stuff. Harry Belafonte’s Jamaican Farewell and Dylan’s Blowing in the wind. Yeah, we learnt them in school but nobody told us they were cool.

Looking back, I wish we were taught many more such songs back then rather than having to substitute words of other songs with “motte”. For all you know, I might have actually taken up singing (ok that might be a stretch; even though I’ve learnt to play the classical violin for 6 years I hardly play it nowadays – ok that also maybe because most of the songs i know are uncool). Yeah I’m such a wannabe.

Unknown Music

There are times when you want to listen to songs that you don’t know. You want to listen to something that seems very vaguely familiar but something you don’t know. One way to implement this it to put winamp on randomize mode. But then, you are likely to know the songs so it won’t work that well. Another way is to listen to the radio but then they may not always play your kind of music (for example, there is one English radio channel in Bangalore and most of the time they play Miley Cyrus nad similar trash – not at this moment though, some awesome house music is playing).

Another way of implementing this which I’ve discovered is to listen to bands that you don’t listen to too often. A 250 GB harddisk on my laptop allows me to store lots of music and there are lots of bands whose music I largely like but don’t listen to enough in order to make myself familiar with their songs. So when I’m in one of those moods when I just wnat to listen to music without analyzing too much or thinking too much I just pull out one of these artistes, and listen to a couple of their albums.

Since I know what they broadly sound like, I can choose music to fit my mood. On the other hand, since I don’t listen to these bands too often, it sounds fresh and unfamiliar all the time, so I end up not thinking too much.

Do you people also feel the same sometimes? Feel like listening to music that doesn’t sound too familiar? What kind of stuff do you listen to then? Where do you source the music for such occasions? Do let me know