NED can be a good thing

Ever since the concept of NED was invented/discovered two years back, it has been painted as a bad thing. I have occasionally described it as a frankenstein – which, after being invented/discovered by me, has come out to consume me. There is a friend who refers to it as “the unspeakable” as she thinks even uttering the word “NED” will send her into NED. NED has been seen as an undesirable state, which everyone wants to get out of as quickly as possible. It is seen as encouraging sloth, and inefficiency, and has only grudgingly been accepted by people as an inescapable fact.

I’ll keep this short and provide only one example, but my point is that NED can also be occasionally a good thing. It is that “balancing force”, which prevents you from being over-aggressive. It is that force that helps cool down your blood, and makes sure you don’t act hastily. It is paramount in making you think twice, and maybe thrice before doing certain things. It makes sure that you are never over-efficient at work, and that will help in keeping your boss’s expectations low enough for you to meet them.

I had thought about one or two examples to quote here, but NED means there has been a long time since I started writing this post, and now. And now that I think about it, I don’t particularly want to mention those two examples. Let me generalize. Certain stuff happened. Some people said some things, which I didn’t like. And I felt like hitting back. Hitting back at a high level. That hit-back would’ve led to an escalation of the situation. And might have been harmful to me. But in the heat of the moment, my cost-benefit analysis would’ve shown this action to be producing positive results.

NED happened. I didn’t do what I was supposed to do. I didn’t do what I had planned to do, rather. Implementation was a bit of a pain so I put it off. And by the time I thought again about it, my analysis of the situation had changed, and it seemed like I would be better off not doing what I had planned to do. Things are all good now. All thanks to NED. If not for NED, I don’t know what I might have done, and I would’ve been in an inferior position right now compared to where I am now.

Two days back, I got a mail saying “sorry if this sounds silly, but what the hell is NED.” I suppose this is a good time to do a check-back. To revise our concepts. So I would encourage you to visit the about page of this blog, and read what NED is all about. And assimilate. And internalize. And recognize the fact that it’s not necessarily a bad thing.

Disco Raaga – Taana – Pallavi

This is one of those posts that I’ve been intending to post for over a couple of months, but each time I think about this, I don’t happen to be in front of a computer, and even if I do, I don’t feel like writing about it. So here I am – finally blogging this. As I write this, I’m listening to the Ledzep Live Album The Song Remains the Same. This post is about this album, and other related stuff.

As you might have figured out from the title of this post, one thing I’ve noticed about this album is about the approximate Carnatic format that the songs in this take on. It may not be in the strict order that Carnatic music prescribes, but these songs are roughly there. I’m currently listening to Dazed and Confused, and after the first few lines of the Pallavi were sung, Page has now gone off into an extended Aalapana of whichever Raaga this song is set in.

Periodically, they return to the song, and play a few more lines. Now, Plant is doing his bit by improvising with a few lines of his own. Jones and Bonham are dutifully doing their background stuff – Bonham will get his footage later in the album – for Moby Dick features a full-blown Tani Avartanam. It ends the same way Tani Avartanams in Carnatic concerts do – with the main line of the Pallavi being sung at the end of it. I know I might be force-fitting some Carnatic concepts into this album; nevertheless, all these improvements make for extremely interesting listening.

A few days after I had first noticed this, Udupa told me that a large number of concerts in the 70s were like this – the musicians would simply jam on stage in the middle of the songs. Created music on the spot. Spontaneous stuff. Unfortunately, Udupa continued, the trend changed a few years back when less informed audiences started demanding that more songs be crammed into the three hour concert, thus reducing the scope for such improvisations.

The best thing about Carnatic concerts is that each one is unique. You might look at two concerts – played by the same set of musicians and with the same line-up of krithis, but there is a very good chance that the two are markedly different. This is because Indian Classical music, in its concerts, encourages the musician to innovate, to play whatever comes to his mind at that point of time – while adhering to the fairly strict rules. It is this element of innovation that makes each concert special, and an experience in itself.

Western Classical music differs in this regard – especially in the orchestra form – since the large size of the troupe leaves little scope for innovation and the musicians are literally forced to play it by the book. In that context, it seems like it was genres such as rock which brought in the spontaneity and innovation into western music.

Nowadays, bands don’t tour as much as they used to a couple of decades ago, which means that whenever they visit a city (which is once in a few years), the fans in the city will want to hear as many songs as possible. And that kills innovation. It is not the bands’ fault – they are simply responding to the market. And I don’t know what it could be that could get them back to their RTP days.

Here is one of my retirement plans. For each song that I like, describe a Carnatic Raaga into which it can approximately fit into. Tinker around with the stanzas, to create a Pallavi-Anupallavi-Charana format. Try to make the raagas as rigid as possible – Vakra scales will be preferred. And then put RTP. Use some Western instruments too – for example, I definitely want the Bass guitar to be a regular feature in Carnatic concerts. I think the result is likely to be phenomenal.

It’s been a few years since I picked up the violin. I plan to do it sometime. And implement what I’ve described here. Hopefully I’ll do a good job. In the meantime, if there are any bands out there which want to implement this concept, they can feel free and do it – I promise I won’t sue them later for IPR.